Wednesday, 13 March 2013

Just for the record





The sun definitely came out today.
I have proof.

Piano practice





I found this while clearing out my emails.
Flex your fingers while the ad is on,
it's worth the wait.

Monday, 11 March 2013

Lately




There have been visitors,


figs


wine


 cake


and games of Bananagrams.

Now everyone has scattered,
some as far as Hong Kong,
and it has snowed again.

Supper on a tray tonight.



Thursday, 7 March 2013

A fish out of water



Do you ever feel like one?



The drizzle and grey have returned
and more Arctic blasting is confidently predicted
for the weekend.
I was working in the garden without a jumper on Monday,
batteries charging nicely.
Suffice it to say,
I am not in my element.

Tuesday, 5 March 2013

360 ยบ


I won't take a camera I thought,
it'll just be in the way and
I don't want to carry a heavy bag.

So what did I decide to do on the spur of the moment
on this sunniest and clearest of Spring days?
I went up the Shard.
Probably the best blogortunity in London.
Well I looked with my eyes and not a lens
and it was just as you'd hope
a view from the 72nd level would be,
800 giddy feet in the air.

Little white trains slithered in and out of stations;
slipped past each other across bridges, 
curled away and converged with immaculate timing.
Boats large and small chugged up and down the river.
A police launch nosed importantly between the slower vessels.

Big Ben was tiny.
So was St. Paul's. 

The Thames takes a deeply sinuous route into the far distance
glinting upstream in the low sun,
broadening downstream towards Greenwich and the open sea.

But most beautiful of all was to see all around 
the rim of hills that hold London 
in their hazy and distant embrace.

The only jarring note was the quite unnecessary New Age muzak,
intended I suppose to heighten your wonderment.
At that height, with a slight breeze on my face,
blissfully removed from 
the blare of mobile phones and traffic,
it was silence I craved.
That would have made the Shard sublime.




Monday, 4 March 2013

Drawing back the curtain









People actually cheered.


It had to be this.


Wednesday, 27 February 2013

Just add a nought






Happy Birthday Philip.
(And let's hope you were six in that school photo,
not seven, or heaven forfend - 
eight!).
Now I must hurry away and make more chocolate-
related comestibles.

Tuesday, 26 February 2013

Culling



Can't linger.
I'm busy culling little books
and cooking for a big birthday.

Monday, 18 February 2013

Texture and pattern










This weekend.
Wasn't it glorious?

Thursday, 14 February 2013

The rainbows are back



It's like sighting the first snowdrop


or the returning swifts


but trickier.


All elements have to be perfectly present


for the rainbows to appear.


Vigilance is all
because in a blink,
in the merest downward glance
to remove a lens cap,


they dissolve.


Wednesday, 13 February 2013

Art therapy


 The Wilton Diptych, Turner's Helvoetsluys,
anything by Van Gogh, (I rather favoured 
Still Life with quinces and lemons
in order to tempt Sue), and Velasquez's Crucifixion,
have each had votes so far.
Further nominations are for
The Graham Children by Hogarth and 
The Madonna with the Iris by Dรผrer.

None of the downloadable images did justice to them
so I have scanned a postcard of my tentative choice.
Despite Clark's assertion that the public did not want to see
Dutch painting or any realistic paintings, 
I see that in June 1942 they exhibited Pieter de Hooch's
A Woman and her Maid in a Courtyard
sadly not now on display, but I am frequently drawn to this:


and I think that amid the chaos of bombed-out,
blacked-out London,
I would have been happier to contemplate sunlit order
 than to wilt under the stern gaze
of Margharetha de Geer.

The inscription above the door translates as:
This is in Saint Jerome's vale, 
if you wish to repair to patience and meekness.
For we must first descend if we wish to be raised.




Tuesday, 12 February 2013

Blitz spirit


Whilst pondering the lowering effect of 
this long winter on the nation's spirits,
I found myself wondering how much harder it must have  been
to stay cheerful during World War II,
and yet we are portrayed in newsreels as a resilient and 
cheerful bunch even during the Blitz.
This British Council film is fairly typical:
http://film.britishcouncil.org/london-1942

The National Gallery in London had been putting on 
morale boosting concerts by Myra Hess since 1939, 
and visitors couldn't help noticing
the bare walls where pictures had been 
evacuated for safety to Wales.
It was decided that the public should have access to 
great pictures even in the most difficult circumstances.

Kenneth Clark said that the difficulties, 
'must be weighed against the delight and refreshment 
which the sight of a great picture would give'.
One picture was to be displayed every three weeks.

The Met Office weather report for February 1942
notes that the month was,
'remarkable for its persistently cold character'.
In England and Wales,

'sunshine was considerably below average on the whole;
in eastern districts it was particularly scanty'.

What did they choose for the aesthetic refreshment of Londoners?
Letters sent in by members of the public had made it,
'perfectly clear that people do not want to see Dutch painting
or realistic painting of any kind;
no doubt at the present time they are anxious to contemplate 
a nobler order of humanity'.
They chose the newly acquired portrait of 
Margaretha de Geer by Rembrandt.



She was the wife of a wealthy merchant Jacob Trip
who had made his fortune from mining,
manufacturing iron and trading with armaments.
She was displayed each day between January and March 1942
and placed in secure storage each night.

On a persistently cold day in February 2013
I stood myself in front of her.
The gallery was quiet, it was near closing time
and most of the visitors had been 
gently herded towards the exits.
We contemplated one another.
I could not honestly say I felt delighted.

In February 1943 they showed Constable's The Hay Wain.


Next time I visit, I am going to have to make my own selection.
Which National Gallery painting would lift your spirits?


Monday, 11 February 2013

Just add sun










It was a small hopeful sign yesterday.
Hopes dashed again with the reappearance of 
the dreariest sort of snow this morning.



Thursday, 7 February 2013

Et lux perpetua






We're going to another performance of Mozart's Requiem tonight.


It's a new hobby. Requiem collecting.


Monday, 4 February 2013

Paperchase



This sweet film is blowing about the internet,
but my thanks to Isabelle's daughter 
for providing a link that worked.